Another great Hitchcock film. But then, aren’t they all? This is perhaps a little more predictable than some of his other thrillers (I picked the ending half way through), but there is much to appreciate here… The setting in the south of France just makes me want to go and holiday there right now, his sweeping panoramic shots over the crystal clear waters with the rustic countryside roofs below are mouth-watering. No wonder it won an Oscar for cinematography (it’s a surprise that Edith Head didn’t win the Oscar for best costume (colour), with the amount of stunning dresses on show here – and that doesn’t normally interest me at all). Also wonderful is the timeless chemistry between the always great Cary Grant and the mesmerising Grace Kelly – they must rank here as one of the best on-screen couples with their flirtatious banter (some of which was improvised). One protest: why is all the French dialogue not subtitled? I want to know what is going on in these scenes and feel I am missing out. Interesting that Grant slaps a woman here too (as well as in Notorious ) and manages to do so with an air of deserving style. In fear of sounding exceedingly misogynistic I don’t want to dwell on it, but I did secretly cheer when he delivered the blow as it was well warranted and came as a surprise. I smiled too when he wanted to slap the French elderly flower vendor when being chased by the police in the market, but he gallantly thought twice and resigned himself to being arrested instead. Some good subtle humour from Hitchcock in amongst the flirting and chasing.
****
****
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